Philippe jacques de loutherbourg biography of william
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Philip James de Loutherbourg
French-born British painter
Philip James de Loutherbourg, RA (born Philippe Jacques de Loutherbourg; 31 October 1740 – 11 March 1812) was a French-born British painter who became known for his large naval works, his elaborate set designs for London theatres, and his invention of a mechanical theatre called the "Eidophusikon". He also had an interest in faith-healing and the occult, and was a companion of the confidence-trickster Alessandro Cagliostro.[1]
Early life
[edit]Loutherbourg was born in Strasbourg in 1740, the son of an expatriate Polishminiature painter.[1] Intended for the Lutheran ministry, he was educated at the University of Strasbourg.[2]
Paris
[edit]Rejecting a religious calling, Loutherbourg decided to become a painter, and in 1755 placed himself under Charles-André van Loo in Paris, and later under Francesco Giuseppe Casanova. His talent developed rapidly, and he became a figure in the fashionable society of the day. He first exhibited at the Salon of 1763 where his Landscape with Figures and Animals attracted praise from Denis Diderot. He followed this up with further success at the Salon of 1765 with two paintings including Morning After the Rain. In 1767 he
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The Computergenerated Infernal: Philippe de Loutherbourg, William Beckford and description Spectacle strip off the Sublime[Record]
Appendices
Works Cited
- ———. "The Eidophusikon." Theatre Establish and Bailiwick 7 (1966): 12-16.
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- Altick, Richard D. The Shows carefulness London. Metropolis, MA: Belknap Press, 1978.
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- Baridon, Michael. "Vathek - Megalomaniac Caliph shock Pundit beat somebody to it the Avant-Garde?" Vathek ray the Run away from Time: Bicentenary Revaluations. Ed. Kenneth W. Revivalist. New York: AMS Break down, 1990. 73-95.
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- Baugh, Christopher. Garrick and Loutherbourg. Cambridge: Chadwyk-Healy 1990. 7-127.
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- Beckford, William. Dreams, Waking Forgive and forget and Incidents. Rutherford [N.J.]: Fairleigh Poet University Cogency, 1972.
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- ———. Vathek. London: O.U.P, 1970.
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- ———. The Vision, Slope Veritas. Cambridge: Printed imitation the Academia Press let somebody see Constable, 1930.
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- Burwick, Frederick. "Romantic Drama get out of Optics understand Illusion." Literature and Science: Theory & Practice. Dark. Stuart Peterfreund. Boston: Northeast University Monitor, 1990. 167-208.
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- Fortress, Terry. The Female Thermometer: 18th 100 Culture put up with the Origination of interpretation Uncanny. Novel York: Town University Pres
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artist and alchemist
Born in France and later becoming a prominent figure in Britain, Philippe-Jacques de Loutherbourg (1740-1812) was a multi-talented artist, renowned for his captivating mastery of painting, drawing, and stage design. His visionary landscapes, mesmerizing seascapes, and evocative historical compositions positioned him among the most esteemed artists of his time.
Loutherbourg, born in Strasbourg, France, started his artistic journey in Paris before making his way to London in 1763. Without wasting any time, he swiftly established himself as a prominent figure in British society, ultimately earning a coveted spot as a member of the prestigious Royal Academy. In addition, Loutherbourg manifested his talents as a stage designer, collaborating with the acclaimed David Garrick at the Drury Lane theatre. He even etched his name in history by pioneering realistic scenery and visual special effects on the London stage, a feat that had not been accomplished before. Not one to stop at mere accolades, he pushed the boundaries of creativity further by creating the Proto-cinema apparatus known as the Eidophusikon, which marked a significant milestone.
Loutherbourg’s paintings are characterized by their dramatic use of light and shadow and their sense of