Savva mamontov biography of rory

  • The house where Russian painter Viktor Vasnetsov lived from 1894 through 1926, as well as a church and wooden houses in Savva Mamontov-owned.
  • This article takes as a starting point amateur architects in 17th-century England.
  • Savva Ivanovich Mamontov, to develop arts and themes that spoke to a Russian national tradition—or at least, to a Russian national tradition that they were.

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    Academic literature on the topic 'Amateur architecture'

    Author:Grafiati

    Published: 4 June 2021

    Last updated: 31 July 2024

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    Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Amateur architecture.'

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    Journal articles on the topic "Amateur architecture"

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    Valeriani, Simona. "Lovers, Gentlemen and Farmers." Nuncius 31, no. 3 (2016): 584–609. http://dx.doi.org/10.1163/18253911-03103003.

    Full text

    Abstract:

    This article takes as a starting point amateur architects in 17th-century England. It considers architectural writings including Henry Wotton’s Elements of Architecture (1624), Sir Balthasar Gerbier’s Councel and Advice to All Builders (1663) as well as Sir Roger Pratt’s and Sir Roger North’s notes on architecture and seve
  • savva mamontov biography of rory

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    MORI Gioia_2011_Tamara de Lempicka. The Queen of Modern

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    In 1934 a critic wrote "Tamara de Lempicka nous plait comme un vice"; this definitionthat our admiration for her is deliciously sinfulstill holds today. All the people who have studied her, and all those who collect her paintings are bound by this almost "sinful" passion. As for myself, I began studying Tamara, searching archives and meeting people who knew her in 1990, and I have not stopped since. And Lempicka continues to surprise me and thrill me. Over the last five years, these studies have extended to Belgium, to Poland, to Germany and back to France. The libraries and archives yielded important discoveries which shed light on the histories of many paintings, on Tamara's participation in exhibitions we hadn't known about before, and on her ties with members of the cultural communities of the 'Twenties and 'Thirties, such as Prampolini. Since Lempicka is a "galaxy" who interacted with other constellations -fashion, advertising graphics, film, photography -reading all the period's newspapers, art journals and fashion magazines opened new horizons, and these sources proved essential for a correct contextualization of her paintings and her modernity. And then, these

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