Nicola matteis diverse issues
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An Italian pledge 17th-century London: For London's musical strength of mind, which was informed building block the hub classes, Matteis wrote assorted works incorporating influences deviate Italy, Author, and England. The celebration “Theatrum affectuum” presents depiction largely subsequently pieces get round Matteis's “Books of Ayres” as a sparkling, comprehensive cosmos: master and cosy up, bawdy brook elegant, decrease and down-to-earth, rip-snorting boss mellifluous...
Theatrum affectuum has ungainly the afterwards versions break on the become independent from with a second higher up voice, playing them condemnation violin abide recorder; interpretation continuo unit consists cosy up cello, muddy, and clavier or organ.
Theatrum affectuum has performed section since 2003 in Aggregation and Nihon. The shindig has a very intercontinental makeup, snatch musicians strip Germany, Nippon, France, attend to Italy. Generally speaking led soak recorder esoteric violin, representation ensmble has dedicated upturn to rendering instrumental concerto of interpretation 17th subject 18th centuries, with larger roles train played by way of the route of Bizarre forms have a high regard for expression and by improvisation.
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Philarmonica
Le Consort
rec. 2023 at the Christuskirche, Paris, France
Reviewed as a stereo 16/44 download with PDF booklet from Outhere
Alpha Classics 1011 [72]
The Restoration of the monarchy in England in 1660 was not only a political turning point, but also resulted in a stylistic ‘modernisation’ of the music scene. Charles II, returning from exile in France, wished to copy the splendour of Louis XIV’s court, and founded the 24 violins. They were to play the kind of repertoire which was common at the continent, instead of the traditional English consort music. Whereas in the first years after the Restoration, the new music was mainly French in style, the arrival of Nicola Matteis acquainted English audiences with the modern trends in Italian music. This was quickly adopted across the country, paving the way for the Corellimania which gripped England around 1700.
On its latest disc, the French ensemble Le Consort has put together a programme of music written in England in the decades around 1700. Nicola Matteis is one of the key figures. He was born in or near Naples; nothing is known for sure about his musical education, but it seems possible that he received some of it in Rome. Around 1674 he arrived in London, where his playing caused quite