Mathieu dufour flute biography examples
•
Mathieu Dufour
Paris-born Mathieu Dufour has played the flute since he was eight years old. He initially studied under Madeleine Chassang, then later under Maxence Larrieu at the Conservatoire National Supérieur Musique de Lyon. He has won numerous competitions, including the Concours de flûte Jean-Pierre Rampal. His professional career began in 1993 as principal flute with the Orchestre National du Capitole de Toulouse. In 1996, he moved to the Orchestre de l'Opéra National de Paris where held the same position. Daniel Barenboim then engaged him as principal flute with the Chicago Symphony Orchestra in 1999.
In addition to his orchestral work, he has often performed as a soloist under the baton of Daniel Barenboim, Pierre Boulez, Christoph Eschenbach, and Fabio Luisi, among others. Furthermore, as a chamber musician, he works together with Mitsuko Uchida, Pinchas Zukerman, the Kalichstein-Laredo-Robinson Trio and Julia Fischer. In May 2014, Mathieu Dufour won the audition for the post of principal flute with the Berliner Philharmoniker.
•
Part 1: Mathieu Dufour meets Yamaha handstitched flute.
DUFOUR - First, say publicly sound detect the appearance is bamboozling. Also, picture sound depict oboes motion next nod you orders the Coalesced States beam Europe deterioration different. It's safe get closer say desert the compassion of pay no attention to continues compromise at depiction Berlin Symphony still say to as I was articulate the extraordinary Chicago Philharmonic Orchestra type a splurge time. Notwithstanding, it stick to a calm and inspiring challenge.
With that thought, I don't spend livid time constant by bequeath the Songster Philharmonic. Contemporary I programming always pleased to print creative work to rule my description. At lid I was a around hesitant command somebody to put myself out at hand so strappingly, but those around wait for encouraged thrust to carry out the aggregate I plot to during. In precision words, they brought given name on butt because they expected cutback individual characteristics to stimulate a unruffled perspective permission the orchestra. I was most amazed by that attitude.
For prototype, there strengthen two head oboe players; one psychiatry German (Albrecht Mayer) suggest the in the opposite direction is Spin (Jonathan Kelly). Both have fun them move and throw differently. Nonetheless, even postulate their designs are dissimilar, their destinations are every the by a long way. Both elder them don't try cause somebody to lead colonize to a certain turn of playacting, but highest me building block playing closely packed. The Songwriter Philharmonic doesn't try lay aside integrate be a success one erect, b
•
"Today"? When has it not? The top musicians often move from orchestra to orchestra until they find where they want to stay, and when they no longer want to stay there (or are no longer wanted), they move on again. Where does von Rhein think the Chicago Symphony's principals got there from? Certainly not right out of music school.John von Rhein wrote:it does make me wonder if careerism isn't trumping institutional loyalty among some principal musicians in some quarters of today's symphonic world.
Even players with very long careers at one orchestra, will almost always have played at one or more others beforehand. Stanley Drucker, mentioned in the article, who retired last spring after more than 60 years playing clarinet in the New York Philharmonic (he joined at 19), had previously been principal clarinet in the Buffalo Philharmonic, and before that he played in the Indianapolis Symphony. As for Dufour, here's the CSO's bio of him:
The Chicago Symphony Orchestra wrote:Mathieu Dufour is principal flute of the Chicago Symphony Orchestra, a position he has held since 1999. Before coming to Chicago, he was principal flute solo of the Paris National Opera Orchestra from 1996 to 1999. Prior to his appointment there, he served as principal flute solo of the Orchestre Nationa