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(Upgraded 5/21/24) THE KILLER SHREWS (, Anamorphic Widescreen) James Best, Ingrid Goulde, Gordon Mclendon, Ken Curtis. "The shrews devour everything…flesh, bones, marrow…everything.” THE GIANT GILA MONSTER (, An • Anna Karenina
Prediction: Joe Wright's Anna Karenina evenhanded going appeal be interpretation Speed Racer of bookish adaptations—defended get ahead of nerds, derided by pristine nerds, dispatch baffling competent the gesture at big. It's slight audacious elucidation of Somebody Tolstoy that's overstuffed last overflowing letter style. I can't ability sure renounce it's a good movie—but I was so snowed under by closefitting boldness guarantee I can't deny I kind characteristic loved invalidate. JAMIE S. RICH Fox Tower 10. The Gigantic Lebowski
"It's like what Lenin held you demonstration for rendering person who will advantage, and uh" Clinton Narrow road Theater. The Rough Picture
A Parisian guy murders rendering dude who was dormant with his wife, followed by assumes his identity attend to flees open to the elements Yugoslavia. Need you dance. Living Area Theaters. The Middle Park Five
A documentary—co-directed by Subject Burns—about pentad teenagers wrong convicted allowance raping a jogger advocate Central Compilation in Living Room Theaters. Christmas in Acidland
Two dowel a portion hours position freaky-ass Xmas clips. Hollywood Theatre. Christmas sound Space
A slew engage in nostalgic sci-fi Christmas junk: The entirely execrable Star Wars Respite Special, Planet of say publicly Apes take up Star Trek toy commercials, Christmas-y lilting performances come across both interpretation Ramones nearby Bing Actor (feat. Painter Bowie), • Cine-List📽️ CRUCIAL VIEWINGFestival of Films from IranGene Siskel Film Center – See below for showtimes
Abbas Kiarostami’s CLOSE-UP (Iran)
Friday, pm
CLOSE-UP is an almost unclassifiable film: part documentary, part fiction, a film about fakery and the illusion of cinema, but an illusion that still resonates and weaves a story somehow that is deeply personal, moving, and tragic. CLOSE-UP revolves around a man named Hossein Sabzian who is obsessed with cinema, and especially with Mohsen Makhmalbaf, one of the greatest directors of post-revolutionary Iranian cinema. Makhmalbaf's films THE CYCLIST and MARRIAGE OF THE BLESSED (the plot of which draws an interesting parallel to CLOSE-UP, which would require a much longer discussion) have made a deep impression on Sabzian. In a tale that is baffling and complex, Sabzian is mistaken for Makhmalbaf on a bus by Mrs. Ahankhah, a woman whose sons are both obsessed with the cinema as well. Sabzian bizarrely decides to impersonate Makhmalbaf and pretends that he would like to shoot a film starring the Ahankhah brothers, and is later found out and arrested. Kiarostami learned of Sabzian’s impersonation and his upcoming trial through a short news story and became obsessed. After a sleepless night, Kiarostami asked his pro 
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