Jota de pablo sarasate biography
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Pablo de Sarasate
Spanish violinist and composer (1844–1908)
Pablo de Sarasate | |
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Undated photo of De Sarasate | |
| Born | Pablo Martín Melitón de Sarasate y Navascués (1844-03-10)10 March 1844 Pamplona, Spain |
| Died | 20 September 1908(1908-09-20) (aged 64) Biarritz, France |
| Occupations | |
| Years active | 1852–1904 |
Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation:[ˈpaβlosaɾaˈsate]; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish violinist, composer and conductor of the Romantic period. His best known works include Zigeunerweisen (Gypsy Airs), the Spanish Dances, and the Carmen Fantasy.[1]
Biography
[edit]Sarasate was born in Pamplona, Navarre, in 1844, the son of Don Miguel Sarasate, a local artillery bandmaster. Apparently, after seeing his father struggle with a passage for a long time, he picked up the violin and played it perfectly. He began studying the violin with his father at the age of five and later took lessons from a local teacher. His musical talent became evident early on and he appeared in his first public concert in A Coruña at the age of eight.
His performance was well-received, and caught the attention of a wealthy patron who provided t
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Preface
Pablo Sarasate
(b. Pamplona, 10 March 1844 – d. Biarritz, 20 September 1908)
Navarra, op. 33
Pablo de Sarasate was born in Pamplona, (Navarre) the son of an army bandmaster. Pablo displayed remarkable talent as a violinist at an early age, performing his first public concert at the age of eight in La Coruña (Galicia). His extraordinary talent caught the attention of a wealthy music-loving patron, the Countess of Espoz and Mina. Her financial support eventually allowed young Pablo to move to Madrid to further his studies. The media was already taking notice of his abilities as evidenced in a review by the Gaceta musical de Madrid in 1855: “Sarasate, infant prodigy, at the age of nine (he was actually eleven) has the talent of a true artist. He has a bright and flawless technique, remarkable intonation, self-assurance on stage, and a wonderful sense of phrasing. He is so natural, exciting the enthusiasm and admiration of the audience, which could hardly believe what they were hearing at the moment.” (Gaceta musical de Madrid, 10/06/1855.)
At the age of 12, his patroness supplied him with a Stradivarius violin as well as the necessary funds to study in Paris, gaining admission to the violin class of Jean-Delphin Alard at the Paris Conservatoire. After only one and on
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de Sarasate, Pablo
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Outstripped Father's Skills
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