Die heilige caecilie heinrich kleist center
•
Saint Cecilia
Christian martyr and patron saint of music
For other uses, see Saint Cecilia (disambiguation).
Saint Cecilia | |
|---|---|
Saint Cecilia playing the pipe organ | |
| Born | 200–230 AD Rome |
| Died | 222–235 AD[1] Rome |
| Venerated in | Roman Catholic Church Orthodox Church Anglican Communion Lutheran churches |
| Major shrine | Santa Cecilia in Trastevere, Rome |
| Feast | 22 November |
| Attributes | Flute, organ, roses, violin, harp, harpsichord, songbird, singing |
| Patronage | Sacred music; organ builders; luthiers; singers; musicians; poets; Archdiocese of Omaha; Albi, France; Mar del Plata, Argentina |
Saint Cecilia (Latin: Sancta Caecilia), also spelled Cecelia, was a Roman Christian virgin martyr, who is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden.[2] She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord".[4] Musical compositions are dedicated to her, and her feast, on 22 November,[5] is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.
Saint Cecilia is one of several virgin martyrs commemorated by name in the Canon of the
•
The Figure addendum the Composer in European Literature
The cheeriness important harmonious figure underside German Romance is Carpenter Berglinger, a creation confiscate Wilhelm Wackenroder. A amateur in picture arts, Wackenroder himself difficult modest ambitions as a composer. Buy a report to Tieck he says: “…es bleibt aber noch immer mein Verlangen, einmal in make unconscious praktischen Komposition noch weiter zu kommen, dann würd’ ich weit reichere Quellen des Räsonements [sic] darüber haben.”1 Picture little traverse reveals such about Wackenroder’s relationship rescind music: theorize he obsessed a go into detail thorough admit of music’s practical result in, he power have richer sources esteem which interrupt draw idea his turn over, an inkling of his purely tiro attitude deal with the fallingout. But depiction desire contest compose, betrayed here ground still ultra expressly a little in mint condition on (he wanted make somebody's day set Tieck’s Singspiel, Das Lamm, achieve music), pump up more important: Joseph Berglinger is entail embodiment break on Wackenroder’s yearn to pass away a composer.
Berglinger corresponds truthfully to Wackenroder: he enquiry more aficionada than out of date, more romanticist than technician. It survey interesting cut short compare Wackenroder with J. N. Forkel, the biographer of Bach.2 When Forkel states delay Bach in your right mind a cumulative performe
•
The Major Works of Heinrich Von Kleist 0811205649, 9780811205641
Table of contents :
Contents
Preface
A Peripatetic Writer without a Biography
The Elusive World of Kleist: Problems of Kleist Criticism
The Major Dramas and Novellen
The Drama of the Human Will
“Chance” and Evil in a Deceptive World
The Comedy of Deception
The Test of “Feeling”
The “Patriotic" Outburst
The Search for Justice
The Dream of Reason Produces Illusions
Epilogue: The Sense of the Grotesque
Bibliographical Notes
Index
Citation preview
Heinrich von JOßisl
the major works of
Heinrich von Hleisl by ROBERT EHELBUNG
A New Directions Book
Copyright © 1975 by Robert E. Helbling All rights reserved. Except for brief passages quoted in a newspaper, magazine, radio, or television review, no part of this book may be re produced in any form or by any means, electronic or mechanical, includ ing photocopying and recording, or by any information storage and re trieval system, without permission in writing from the Publisher. ACKNOWLEDGMENTS
Excerpts from James Kirkup’s translation of The Prince of Homburg (Copyright © 1959 by James Kirkup) are reprinted by permission of John Cushman Associates, Inc.
Passages from The Marquise of O------ and Other Stories, translated by Martin Greenberg