Art la may biography template
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History of art
For the academic discipline, see Art history.
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form. Visual art can be classified in diverse ways, such as separating fine arts from applied arts; inclusively focusing on human creativity; or focusing on different media such as architecture, sculpture, painting, film, photography, and graphic arts. In recent years, technological advances have led to video art, computer art, performance art, animation, television, and videogames.
The history of art is often told as a chronology of masterpieces created during each civilization. It can thus be framed as a story of high culture, epitomized by the Wonders of the World. On the other hand, vernacular art expressions can also be integrated into art historical narratives, referred to as folk arts or craft. The more closely that an art historian engages with these latter forms of low culture, the more likely it is that they will identify their work as examining visual culture or material culture, or as contributing to fields related to art history, such as anthropology or
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Template:Infobox musical artist
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| This template adds an mechanically generated short description unless keep an eye on is populated. If description automatic accordingly description • Biography of Marc Chagall1903-1914Starting out in Russia and discovering Paris Despite the art world being a far cry from his humble background, he was introduced to painting while going along to the studio of a local painter – Jehuda Pen - after his secondary schooling was cut short. Not long after that he met Bella, the daughter of modest jewellers, who became his fiancée and source of inspiration. From 1907 to 1909, he moved to Saint-Petersburg, where he enrolled in several academies before working in the studio of Léon Bakst, a set designer for the Ballets Russes. It was here that he came across the works of the Parisian Avant-Garde and began dreaming of going to Paris. His dream finally came true in 1911 thanks to a grant from the lawyer Vinaver. This was the beginning of his first trip to Paris and his art took a radical new direction as he adopted the Avant-Garde’s discoveries – from Fauvism to Cubism – for his own, brightening his colours in the process. |